Crafted in the rich stoner tradition, "High Society: A Pot Boiler" is a dialogue and character-driven, rapid-fire, unrelenting comedy about three contentious roommates, two hot chicks and an unwelcome guest.

A woman comes out of the sauna and carries the body in the car and moves to the mountain. 　　In front of the tomb with a nice table and meal. 　　The woman begins to talk to the body. 　　A woman who buries a dead body and tries to escape from the mountain cannot escape from the mountain.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

American Documentary, narrated by Christopher Lee

FBI hostage rescue team leader Jack Bender has been sacked for not being a team player, and months later he finds himself in the ultimate hostage nightmare: stuck aboard a plane that's been taken over by a group of well-armed terrorists who threaten to detonate a nuclear weapon unless they receive a billion dollars

FBI hostage rescue team leader Jack Bender has been sacked for not being a team player, and months later he finds himself in the ultimate hostage nightmare: stuck aboard a plane that's been taken over by a group of well-armed terrorists who threaten to detonate a nuclear weapon unless they receive a billion dollars

An acclaimed painter travels to Japan for an exhibition where he takes advantage of his free time to enjoy a Japanese bath or onsen. However, there is more to it than that. He is told that the owner of the bath has a false work of his. He meets a look-alike at the bath and the situation lends itself to what comes next

Hypochondriac Lasse has finished his education but has trouble finding a job, instead he goes out trying to pick up girls. One morning he meets Lena in the stairwell.